Post by tonystrak on Jan 17, 2018 8:10:13 GMT
Hi,
Progressive rock has been the object of many essays and guides but “The trawberry bricks guide to progressive rock” written by Charles Snider (2007) figures among the top of the list due to a brilliantly documented work. This practical book conciliates descriptive, analytical and critical approches, focusing the subject on the golden era of progressive rock, also reserving a place to the historical roots of this musical scene. Before opening the guide with a representative list of classic (pre) progressive albums published between 1968 and 1979, Charles Snider starts the essay with a prologue appropriate to a discussion around the historical situation / musical context and about specific aesthetic / formal elements that distinguish progressive rock to conventional, standard pop music.
The restrospective list and reviews that accompagny the guide cover all the progressive rock musical spectrum (from symphonic prog, jazz rock, art rock to krautrock and electronic prog). This essay is obviously focused on the giants of progressive rock but it also gives an important mention to obscure bands that are now cult (Clearlight, Heldon, Far East Family Band, Birth Control...). Consequently this guide can ravish all fans of prog rock classic period.
It contributes to an ecclectic, global comprehension to the developpement of the genre. This is a massive, complex collection but there’s only one negative point I would like to notice: When the author speaks about the emergence of prog rock musical identity I estimate that too many attention is given to low musical pop-ish aspects introduced by the Beatles...I would like to read a more exhaustive chapter about the influences of high musical spheres that don’t belong to rock music, I mean classical music, free-jazz, sixties minimalism, raga meditations and avant garde.
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Progressive rock has been the object of many essays and guides but “The trawberry bricks guide to progressive rock” written by Charles Snider (2007) figures among the top of the list due to a brilliantly documented work. This practical book conciliates descriptive, analytical and critical approches, focusing the subject on the golden era of progressive rock, also reserving a place to the historical roots of this musical scene. Before opening the guide with a representative list of classic (pre) progressive albums published between 1968 and 1979, Charles Snider starts the essay with a prologue appropriate to a discussion around the historical situation / musical context and about specific aesthetic / formal elements that distinguish progressive rock to conventional, standard pop music.
The restrospective list and reviews that accompagny the guide cover all the progressive rock musical spectrum (from symphonic prog, jazz rock, art rock to krautrock and electronic prog). This essay is obviously focused on the giants of progressive rock but it also gives an important mention to obscure bands that are now cult (Clearlight, Heldon, Far East Family Band, Birth Control...). Consequently this guide can ravish all fans of prog rock classic period.
It contributes to an ecclectic, global comprehension to the developpement of the genre. This is a massive, complex collection but there’s only one negative point I would like to notice: When the author speaks about the emergence of prog rock musical identity I estimate that too many attention is given to low musical pop-ish aspects introduced by the Beatles...I would like to read a more exhaustive chapter about the influences of high musical spheres that don’t belong to rock music, I mean classical music, free-jazz, sixties minimalism, raga meditations and avant garde.
For More Details
Cryptocurrency Campaigns